Beatunes key accuracy software#

Those produce a lot of work, because they break things. That's when I burn the most for my work.Ībove I mentioned outside factors. So after all the tedious nitty-gritty work is done, I get to spend a little bit of time getting my hands real dirty. But finding new ways to improve detection accuracy is among the best parts of the job. Of course creating a neat UI, solving scalability issues, and working with lots of open source libraries is fun, too. Like creating a new key or tempo detection algorithm. One thing that's probably most fun about beaTunes, is that every now and then I get to do some real research. Some survive, many don't.įeatures I want, are often of a different breed. So deciding which user features to implement is a process of elimination. Every additional feature clutters the UI and makes beaTunes harder to play with. As it is, beaTunes is already a fairly complex software. But even very reasonable wishes need to have many potential users. Obviously, it does not make sense to implement those very specific wishes in beaTunes itself-that's what beaTlets are for. And sometimes they are very specific and only interesting for a small audience. Sometimes they solve problems for many people and provide me with valuable insights into what people really need. I typically aim for a good mixture of what users want, what I want, and what simply needs to happen, because the world didn't stop spinning. Assuming you already have a product, you need to figure out what your next version needs.

Beatunes key accuracy software#

Let me digress and talk a little about what goes into creating a software like beaTunes as a one-man-show. Something I want to enjoy crafting-and hopefully people enjoy using. But I'm glad that I'm able to say: Writing beaTunes is not something that's primarily concerned with deadlines.

Like in any good software project, this should have happened earlier. I'm very happy to write that today I can finally release the first Early Access (EA) version for beaTunes 5.